December 2022
The Kubrickian Shadow of David Bowie
September 2022
The Art of The Last of the Mohicans
August 2021
Do We Deserve the Xenomorph?
Jim Morrison: Filmmaker
History as a Virtual Reality Experience
History is What Hurts: Suspiria (2018) and Possession (1981)
On Film and Opera
The Los Angeles Plan 2.0
Messiah of Evil: Film and the Influence of L.A. Pop Art
L.A. Punk Cinema
A Land of Wolves: Sicario and the New Drug War Film (Co-Authored with Eileen Rositzka of Cinepoetics - Free University of Berlin)
Paul Thomas Anderson's Los Angeles: Inherent Vice (2014)
Michael Mann's Los Angeles: L.A. Takedown (1989), Heat (1995), and Collateral (2004)
Believe a Man Can Fly: Richard Donner's Superman (1978) and the Cinematic Recovery of American Mythology in 1970s Cinema
Civil War Photography and the Contemporary War Film
Frames Cinema Journal - June 2015
The End of the History in Jim Jarmusch’s Only Lovers Left Alive - Bright Lights Film Journal
David Ayer’s End of the Watch and the Militarization of U.S. Law Enforcement — Bright Lights Film Journal (2013)