List of Works Cited/Recommended Reading

 

Bean, Jennifer. “The Imagination of Early Hollywood: Movie-land and the Magic Cities, 1914–1916.” In Early Cinema and the National, edited by Richard Abel, Giorgio Bertellini, and Rob King. Bloomington: Indiana University Press, 2016.

 

Brook, Vincent. Land of Smoke and Mirrors: A Cultural History of Los Angeles. New Brunswick: Rutgers University Press, 2013.

 

Bruno, Giuliana. “Site-seeing: Architecture and the Moving Image.” Wide Angle, 19 (4): 8-24

 

Camp, Stacey Lynn. “From Nuisance to Nostalgia: The Historical Archaeology of Nature Tourism in Southern California, 1890–1940.” Historical Archaeology 47, no. 3 (2013): 81–96.

Conley, Tom. Cartographic Cinema. Minneapolis: University of Minnesota Press, 2007.

 

Davis, Susan G. “Landscapes of Imagination: Tourism in Southern California.” Pacific Historical Review 68, no. 2 (May 1999): 173–91.

 

DeLyser, Dydia. “Ramona Memories: Tourist Practices, and Placing the Past in Southern California.” Annals of the Association of American Geographers 93, no. 4 (2003): 886–908.

 

Film New Zealand. The Production Guide to the World in One Country. Wellington: Film New Zealand, 1999.

 

Friedberg, Anne. Window Shopping: Cinema and the Postmodern. Berkely: UC Press, 1993.

 

Garcia, Desirée. “Ramona in the City: Mexican Los Angeles, Dolores del Rio, and the Making of a Mythic Story.” In Cinema between Latin American and Los Angeles: Origins to 1960, edited by Colin, Gunckel, Jan-Christopher Horak, and Lisa Jarvinen. New Brunswick: Rutgers University Press, 2019.

 

Green, Tyler. Carleton Watkins: Making the West America. Oakland: University of California Press, 2018.

 

Gunning, Tom. “The Cinema of Attractions: Early Film, Its Spectator, and the Avant-Garde.” In The Cinema of Attractions Reloaded. Amsterdam: Amsterdam University Press, 2006.

 

Jones, Harvey L. Twilight and Reverie: California Tonalist Painting. Oakland: Oakland Museum, 1995.

Keyes, Donald D. “From Giverny to Laguna Beach.” In California Impressionists. Irvine: Irvine Museum, 1996.

 

Klein, Norman M. The History of Forgetting: Los Angeles and the Erasure of Memory. New York: Verso, 2008.

 

Leotta, Alfio. Touring the Screen: Tourism and New Zealand Film Geographies. Bristol: Intellect, 2011.

 

Leotta, Alfio and Missy Molloy. “Is The Power of the Dog a New Zealand Film? National Identity, Genre, and Jane Campion.” Senses of Cinema. May 2022.

 

Rubin, James H. Impressionism and the Modern Landscape: Productivity, Technology, and Urbanization from Manet to Van Gogh. Los Angeles: University of California Press, 2008.

Sandberg, Mark B. “Location, Location: On the Plausibility of Place Substitution.” In Silent Cinema and the Politics of Space, edited by Jennifer Bean, Anupama Kapse, and Lauren Horak. Bloomington: Indiana University Press, 2014.

Sandweiss, Martha A. Print the Legend: Photography and the American West. New Haven: Yale University Press, 2002.

Scott, Allen J. On Hollywood: The Place, the Industry. Princeton: Princeton University Press, 2005.

Soja, Edward. Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places. Oxford: Blackwell, 1996.

Stanley, Ben. “In the Country of the Dream: On Cliff Booth, John Wayne, and Joan Didion.” Bright Lights Film Journal, July 21, 2021.

Stern, Jean, and Molly Siple. California Light: A Century of Landscapes. New York: Rizzoli, 2011.

Welsh, Robert E. ABCs of Motion Pictures. New York: Harper Brothers, 1916.

Wolfe, Charles. “California Landscapes: John Divola and the Cine-Geography of Serial Photography.” In The Image in Early Cinema: Form and Material, edited by Scott Curtis, Phillipe Gauthier, Tom Gunning, and Joshua Yumibe. Bloomington: Indiana University Press, 2018.